Best quote EVER:
Writing is easy. All you do is sit
staring at a blank sheet of paper
until the drops of blood form
on your forehead.
—Gene Fowler
I majored in writing and was a reporter for a metro daily newspaper for quite awhile. You usually crank out 5-6 stories a day unless you have a HUGE project you're working on.
I find that the fastest way to kill creativity is to try and stuff it into the prison of an outline. Very often in my pieces, I don't really know where I'm going until I get there. Take this response, for instance. It's kind of an essay, albeit not one written in third person for general consumption. I didn't sit down and whip up an outline of any kind. I think if I did, it would sound stilted and mechanical.
I read something from the author of "BraveWriter" on being well-read...on experiencing the writing and narration styles of many varied writers. Try this one for size:
"After I finished my college degree, I spent a summer in former Zaire on the Congo River. I’ll never forget the first time I saw that big river. We’d been in the main city, Kinshasa. Our little team traveled to the outskirts of town for our first overnight stay in mud huts. The guide led us from the main road to a maze of trails.We had to walk really fast to keep up. Tall grasses were on either side of the single file path. I kept my head down, eyes forward.
Suddenly the trail turned and right in front of me a huge expanse of water burst into view. Muddy, violent, pulsing currents separated our side of the jungle from the other side in Congo. Over ten miles wide at its widest, this river was powerful and big and luminescent. Hundreds of tributaries feed into its 2,718 miles of water. At four in the afternoon, a round, orange sun (larger than any sun I’d ever seen) glinted on its surface. The jungle it supplied lined both banks. Dense, wild, lush and overgrown. That’s when I got it. Only a river that big could have furnished the jungles on either side."
Your writing is the jungle, and you want it to be lush and green, vibrant, tangled, alive. The Congo river feeds that jungle, and that river is everything you read. The greater your "water" supply, the better and healthier the jungle.
So...read. Read fun things, like The Hitchhiker's Guide to the Galaxy (a book I was so enamored with that I carried it for months in the bottom of my leather backpack in high school), like the Harry Potter series, like the old Oz books (although if you didn't get them by the time you were 12, I think some of the magic disappears from them). Try out The Hobbit (my third-grader loved it when I read it to him), if you're an animal lover try Redwall (there's a whole series of those). Read Laura Ingalls Wilder and James Harriot (kind of quirky, but fun) and James Thurber (short stories). Read the classics, read romance novels, read Stephen King late at night and scare the crap out of yourself. Read Anne Rice (Interview With a Vampire), read the newspaper.
In its purest form, writing is about ideas worth sharing. Otherwise, why bother to write anything down? It's the method of sharing that comes into play when we write. And that involves -- essentially -- puking up all your ideas onto paper (or chalkboards, or whiteboards, or glass doors or mirrors, or...whatever) first. (What? You never jotted down an idea with a dry-erase marker on your mirror?) Worry about mechanics and syntax later, worry about form later, worry about complete sentences and order all LATER.
When I would interview a subject for a story, I was either on the phone or in person. Either way, you can never write down every word they say, so you're scribbling furiously or typing furiously. When the interview is done, you go back and patch up those quotes so they're exact, you put certain phrases in quotation marks, and you start filling in holes here and there.
In this case, you're interviewing yourself, you're throwing ideas out there whether you'll use them or not. The most important thing is to get the ideas down. The pumpkin isn't round, it's actually kind of squashed flat into an oblong shape, and has these funny lobes that look like they're puffing out. Sure, it's orange, but there are undertones of yellow in there and speckles of brown, and of course the stem is green and dry and prickly. It sounds hollow if you give it a good thunk with your finger, it's smooth and cold and it smells like ... dirt? Dirt almost doesn't have a smell so much as a location guide. Dirt smells like ... dirt roads and rusty pickups and air that's rife with dust motes, or gardens and hot, cut grass and sunshine. Unless you cut into the pumpkin, and then it smells wet and heavy and full of promise, either of candy later that night or of pie with whipped topping, laced with nutmeg and cloves.
Pretty soon you had a computer screen full of disjointed paragraphs, but each paragraph made sense if you knew the context. So then you'd start cutting and and pasting paragraphs and filling in a little more, and a little more and little more. And this thing doesn't sound right here, so let's move it there and what about this one, and hey, I don't need this bit at all, let's cut it out entirely. So you'd print that out and look it over, and mark up the obvious "oops" errors and decide on some ordering changes, make those, and send it off to the editors.
I didn't have editors in high school, so I had a couple of people whose writing I respected and I asked them to look over my stuff. I also asked my mom, which is where I learned most of my writing skill. People don't do you any favors if they look at your stuff and say, "Ooooh, that's great!" I fire those people as editors immediately. I want people who will say, "WTF is THIS?" and "That's opinion. Got a reference?" or "Wait, what does this mean?" They help you to clarify and sharpen your writing.
If you want to look a little more at writing as a novel author, try this site:
http://www.nanowrimo.org/
If you absolutely MUST straight-jacket your writing, or you find yourself backed into a corner with a teacher who pulls one of those "Hand in an outline this week and your essay next week" tricks (I always made outlines AFTER I wrote the paper, personally), I guess this is as good a method as any:
http://teachers.emints.org/FY03/murphyt/4%20Square%20Writing.html